MARTIN PEDERSEN Filmcomposer WHAT WILL PEOPLE SAY "...compelling coming-of-ager" "... stages the scene so powerfully that it takes the audience’s breath away" (Variety) "Provocative, emotionally charged material is handled with a maturity and confidence that makes it accessible to a broad international audience." "... Lorenz Dangel and Martin Pedersen’s score creates a situation in which the stomach churns with dread at what will happen next." (Screen Daily) "... what at first appears to be a family drama morphs into a stifling thriller" (Cineuropa) WHAT WE BECOME “… the best danish horrorfilm since ‘The Nightwatch'” (Politiken) “… a savy sensitive study of surburbanities coping with an encroaching apocalypse” “… the ending is effectively terrifying, enhanced by Martin Pedersen’s moody synthsizer score” (L. A. Times) “… a very pretty movie with a very dark heart” (New York Times) DISPORTRAIT END OF DAYS WHAT WILL PEOPLE SAY "...compelling coming-of-ager" "... stages the scene so powerfully that it takes the audience’s breath away" (Variety) "Provocative, emotionally charged material is handled with a maturity and confidence that makes it accessible to a broad international audience." "... Lorenz Dangel and Martin Pedersen’s score creates a situation in which the stomach churns with dread at what will happen next." (Screen Daily) "... what at first appears to be a family drama morphs into a stifling thriller" (Cineuropa) KONG HANS DREAM OF THE STARS WHAT WE BECOME “… the best danish horrorfilm since ‘The Nightwatch'” (Politiken) “… a savy sensitive study of surburbanities coping with an encroaching apocalypse” “… the ending is effectively terrifying, enhanced by Martin Pedersen’s moody synthsizer score” (L. A. Times) “… a very pretty movie with a very dark heart” (New York Times)

Martin Pedersen is a critically acclaimed danish filmcomposer based in Copenhagen. He has worked on feature films, documentaries, tv-shows and commercials – Incl. the feature film ‘What Will People Say’ by director Iram Haq – Selected as Norway’s official Oscar nominee 2019 for ‘Best Foreign Language Film’.

His sound is often a hybrid of electronic and acoustic instruments fused with electronically treated organic sounds. In 2017, 2018 and 2019 Martin Pedersen was awarded by the Danish Arts Foundation to continue his artistic work.

CURRENT OR RECENT PROJECTS